To Make a World: George Ault and 1940s America Opens March 11 at Smithsonian American Art Museum

“To Make a World: George Ault and 1940s America” will be on view at the Smithsonian American Art Museum in Washington, D.C., from March 11 through Sept. 5. Alexander Nemerov, the Vincent Scully Professor of the History of Art at Yale University, is the curator of the exhibition. Following its presentation in Washington, D.C., the exhibition will travel to two additional venues.

 

During the turbulent 1940s, artist George Ault (1891-1948) created precise yet eerie pictures—works of art that have come to be seen, following his death, as some of the most original paintings made in America in those years. The beautiful geometries of Ault’s paintings make personal worlds of clarity and composure to offset a real world he felt was in crisis.

 

“Historians have recorded the heroic accomplishments and sacrifices of the Second World War,” said Elizabeth Broun, The Margaret and Terry Stent Director of the Smithsonian American Art Museum. “But what were our families at home really thinking and feeling during those times? This exhibition and book delve below the surface of 47 paintings to understand deep emotional currents that help us understand those feelings. With exquisite precision—just like the precise art of featured painter George Ault—Alex Nemerov creates anew this world for all of us.”

 

This is the first major exhibition of Ault’s work in more than 20 years and includes 47 paintings and drawings by Ault and his contemporaries. It centers on five paintings Ault made between 1943 and 1948 depicting the crossroads of Russell’s Corners in Woodstock, N.Y. The mystery in Ault’s series of nocturnes captures the anxious tenor of life on the home front.