Exhibition Surveys Metropolitan Museum’s Unparalleled Holdings of Photographs by Thomas Struth Our Coverage Sponsored by Maine Woolens
.jpg)
Thomas Struth (German, b. 1954). Pantheon, Rome, 1990. Chromogenic print. Private collection, New York
Maine Woolens is a weaver of blanket and throws located in Brunswick, Maine. We work
primarily with natural fibers, like cottons and worsted wools and are committed
to using renewable natural fibers from American growers whenever possible. We
do piece dyeing and package dyeing in house and the combined experience of our
excellent employees exceeds 300 years. Our wool and cotton blankets and throws
are 100 percent machine washable, soft and luxurious to the touch, cozy warm
and comfortably light. We have many styles to choose from. Our clients are very
positive about our products and happy to support a Made in Maine, USA company.
Jo Miller is a Mover and Shaker:
We have been highly recommended by Whom You Know:
Maine Woolens, affordable luxury and tradition.
***
Exhibition Dates: September 30, 2014-February 16, 2015
Exhibition Location: Joyce and Robert Menschel Hall for Modern Photography, 2nd Floor
Twenty-five photographs by Thomas Struth (German, born 1954), one of the most accomplished and celebrated artists of the last half-century, will be on view at The Metropolitan Museum of Art from September 30, 2014 through February 16, 2015. From his early black-and-white streetscapes made in New York in 1978 to recent and previously unseen works, Struth’s photographs explore both the traditions and actual conditions of a world on the cusp of global change.
The exhibition is made possible by Vivian and James Zelter.
Thomas Struth: Photographs offers a compact yet comprehensive survey of the major developments in this prominent artist’s oeuvre. A new photograph, Figure 2, Charité, Berlin(2014), shows the use of robotics during a surgical operation. Also included are examples from the landmark Museum Photographs series—large-scale views of visitors in museums and other cultural settings—as well as sensitive and humanistic portraits and wall-size views of grand public spaces from Times Square to Tiananmen Square.
The Metropolitan owns three stellar works from Struth’s Museum Photographs, and a highlight of this installation will be the inclusion of another from the series, on loan from a private collection—the iconic Pantheon, Rome (1990), perhaps Struth’s signature image from the series. Showing visitors gazing as if to the heavens in one of the greatest buildings to survive from antiquity, his photograph unites the timeless and the ephemeral, allowing viewers to see two perspectives—the ideal and the real—on the same theme.
Also featured is a lush, primeval-looking forest scene in Japan, Paradise 13, Yakushima, Japan(1999), among other majestic photographs.
The exhibition includes a work recently acquired by the Museum, Hot Rolling Mill, ThyssenKrupp Steel, Duisburg (2010). This monumental, nine-foot-wide color photograph brings Struth full circle to the industrial architectural subjects of two of his professors from the Kunstakadamie in Düsseldorf during the mid-1970s, Bernd and Hilla Becher.
Evidence of the Bechers’ influence can also be seen in Struth’s portfolio The Streets of New York, one of only three complete sets created by the artist in 1978, acquired by the Metropolitan in 1982, and shown in this installation in its entirety. Avoiding subjectivity through a centralized viewpoint and comparative technique, Struth catalogued with clarity and dispassion the unselfconscious structures that characterize a culture—that irreducible mélange of textures, shapes, and the scale of its streets. The result was an unprecedented update of the tradition of urban photography infused with a deep understanding of context and serial progression. Struth had absorbed then-recent developments in Minimal and Conceptual art at the Düsseldorf Kunstakademie. As with his later series, he leaves space for each viewer’s participation in understanding his or her environment and, by extension, any environment—an exercise in critical vision that is essentially global and salutary in effect.
Exhibition Credits
Thomas Struth: Photographs is curated by Doug Eklund, Curator in the Department of Photographs, and Jeff L. Rosenheim, Curator in Charge of the Department of Photographs.
Related Information
A related education program, “Conversation with a Curator—Thomas Struth's Eleonor and Giles Robertson, Edinburgh,” will take place on October 30, 2:00–2:30 p.m.
Additional information about the exhibition is available on the Museum’s website.
VISITOR INFORMATION
Main Building
Friday-Saturday
10:00 a.m.-9:00 p.m.
Sunday-Thursday
10:00 a.m.-5:30 p.m.
The Cloisters museum and gardens
March-October
10:00 a.m.-5:15 p.m.
November-February
10:00 a.m.-4:45 p.m.
Both locations will be closed January 1, Thanksgiving Day, and December 25, and the main building will also be closed the first Monday in May.
Recommended Admission
(Admission at the main building includes same-week admission to The Cloisters)
Adults $25.00, seniors (65 and over) $17.00, students $12.00
Members and children under 12 accompanied by adult free
Express admission may be purchased in advance at www.metmuseum.org/visit
For More Information (212) 535-7710; www.metmuseum.org
