All Columns in Alphabetical Order


Thursday, October 13, 2016

Earning Whom You Know's Highest Recommendation, The Accountant by Warner Bros. Pictures Debuts in the USA October 14, 2016 The Most Oscar-Worthy Movie of the Year So Far Says Peachy Deegan Our Coverage Sponsored by Stribling and Associates

 
For over 30 years, Stribling and Associates has represented high-end residential real estate, specializing in the sale and rental of townhouses, condos, co-ops, and lofts throughout Manhattan and Brooklyn, and around the globe. Stribling has more than 200 professional brokers who use their respected expertise to provide personalized service to buyers and sellers at all price levels. A separate division, Stribling Private Brokerage, discreetly markets properties over $5 million, and commands a significant market share in this rarified sector of residential real estate. Stribling is the exclusive New York City affiliate of Savills, a leading global real estate advisor with over 200 office in 48 countries. 
Whom You Know Congratulates their new President, Elizabeth Ann Stribling-Kivlan: http://www.whomyouknow.com/2012/12/breaking-manhattan-real-estate-news.html#.VvFbTrLIU
 We felt quite neutral about The Accountant going into it and only remembered that when Peachy Deegan took finance classes as electives at Boston College, she skipped accounting because she did not want to waste an elective on it.  Accounting has a reputation for being like saltines with no salt, however, Warner Brothers has turned that standing upside down with a film that absolutely blew us away with a performance of pure stealth excellence by Affleck.  When Good Will Hunting came out, Peachy was in college and she saw it in Chestnut Hill (six miles west of Boston); when Argo came out, we reviewed it with Warner Brothers; we believe The Accountant will be the hat trick of Ben Affleck's Oscars and we hope he accepts it with a Bobby Orr-esque flight to the stage.  The Accountant is everything you don't know accounting to be, complete with game day rituals that you might expect from an NFL quarterback that you instead see done by Affleck in an office:





It is clear from the start that the protagonist, Christian Wolff, played by Affleck, has overcome huge obstacles presented by autism and those that are afflicted with such a challenge and those around them should have a special appreciation for this movie.  Christian's talent for numbers does not extend to interactions with people; he completely pulls off the act as a small-town CPA as he gets his white collar quite dirty.  We're highly impressed with the choices Gavin O'Connor made throughout as Director, and this is the first time we've reviewed his work we believe.  As maybe the only student that did a term paper on the Rise of Americans in the NHL at the collegiate level which included an interview with Mark Johnson of the 1980 USA Olympic team, Peachy Deegan has a special appreciation for O'Connor's work on Miracle.

We were hugely impressed with the performance of Anna Kendrick and feel she deserves to be cast more often in blockbusters such as this in lead roles.  She has a lot more versatility than she often receives credit for.  Playing an accounting clerk at a state-of-the-art robotics company, Dana Cummings, Kendrick embodies cunning and quirky to a perfect balance.  She's supersmart and delivers an Oscar-worthy performance.

For all that read us for fashion, you'll appreciate her lines about coveting a Vera Wang dress.
 The plot becomes more and more twisted and its complexity trumps even The Big Short, which we loved also.  The painful flashbacks to childhood punctuate the movie and color in the character of Christian Wolff and how he came to be.

We applaud all that devote themselves to films of intelligence such as these.  It is high time that both the American and international public appreciated the cerebral qualities of the businessperson thought to have a mundane existence although they possess qualities and are capable of feats that supersede their appearance.
 The nuanced performances by Affleck and J.K. Simmons as Ray King, the head of the U.S. Treasury Department's Crime Enforcement Division, appeal to taste levels the audience doesn't know they have because if these actors were of lessor talent, they wouldn't have been cast.
The combined superior talent of this cast and their chemistry together is absolutely superlative and the casting department could not have done better work as well as the actors and their character execution.  This is Affleck's best performance since Good Will Hunting.
"Part of my job as director," O'Connor says, "is surrounding myself with people who are really good at what they do-people who are going to constantly lift up the material and make me better and make the movie the best it can be.  All of these actors are of that caliber."
 A lot of people in government today would learn a lot from Ray King's absolute intolerance for bullshit and determination to hold those lying accountable for their felony.  "What fascinated me about Ray is that he's this real alpha male when we meet him and then, as the story develops, we find different aspects to him, as we do with most of the characters.  It adds a lot of depth and some surprises," says Simmons.
 Set in Chicago, our one criticism of The Accountant is why did we not see any Chicago Blackhawks references?
 
 The well-developed plot will absolutely suck you in and you'll forget you once had a phone that you checked every 20 seconds.  The black and white of good and evil is fabulously murky shades of silver and gray throughout The Accountant, and you'll discover each layer of suspense with baited breath.
A prevailing theme in The Accountant is the contrast between appearances and the depth of truth behind the character in question; it is going to have you second guessing an awful lot. 





 "The story speaks to the duality in all of us.  It might be easy to pigeonhole a guy like Chris, but we find out he's capable of much more than you imagine," Affleck notes.  Jean Smart and John Lithgow, sister and brother team: Rita and Lamar Blackburn (Ritas have a great track record here between Mover & Shaker Rita Cosby and an upcoming Rita) of the robotics brand bring an entrepreneurial flavor to the film that evokes degrees of evil progression.  We really loved Jean Smart in Designing Women.
 
 
 With Kendrick from Maine and Affleck from Massachusetts, it's clear that the best of Hollywood sometimes comes from NEW ENGLAND.
 The furthest from boring, The Accountant exhibits pronounced character development and plot speed during its second hour which trumps the first.  Finally, if you need further convincing, we believe if you loved American Sniper, you will love this.  It is a bit of that with some cantaloupes with expression thrown in.  The gripping conclusion is validation of the most Oscar-worthy work we've seen in 2016.

After all of the Affleck stellar sniper action, we swear we could have heard Matt Damon whisper in the audience: "How about them apples?!!"

The Accountant has earned Whom You Know's Highest Recommendation.







Oscar winner Ben Affleck (“Argo,” upcoming “Batman v Superman: Dawn of Justice”) stars in the title role of “The Accountant,” from director Gavin O’Connor (“Miracle,” “Pride and Glory,” “Warrior”).

Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise. 

“The Accountant” also stars Oscar nominee Anna Kendrick (“Up in the Air,” “Into the Woods”), Oscar winner J.K. Simmons (“Whiplash,” the “Spider-Man” films), Jon Bernthal (“Fury,” “The Wolf of Wall Street”), Jean Smart (TV’s “Fargo,” “24”), and Cynthia Addai-Robinson (“Star Trek: Into Darkness”), with Jeffrey Tambor (TV’s “Transparent,” “The Hangover” films) and two-time Oscar nominee John Lithgow (“Interstellar,” “Terms of Endearment,” “The World According to Garp”). 

O’Connor directed the film from a screenplay by Bill Dubuque (“The Judge”). The film was produced by Mark Williams and Lynette Howell, with O’Connor, Jamie Patricof and Marty Ewing serving as executive producers. 


The behind-the-scenes creative team includes two-time Oscar-nominated director of photography Seamus McGarvey (“Anna Karenina,” “Atonement,” upcoming “Pan”), production designer Keith Cunningham, Oscar-nominated editor Richard Pearson (“United 93”), costume designer Nancy Steiner, and Oscar-nominated composer Mark Isham (“Warrior,” “A River Runs Through It”). 

Warner Bros. Pictures presents an Electric City Entertainment/Zero Gravity Management Production, a Gavin O’Connor Film, “The Accountant.” The film is slated for release worldwide beginning October 7, 2016.

Back to TOP