All Columns in Alphabetical Order


Sunday, June 14, 2026

#CulturedPeachy @MorganLibrary THE MORGAN LIBRARY & MUSEUM COMMEMORATES THE U.S. SEMIQUINCENTENNIAL WITH INSTALLATION OF AMERICANA FROM THE COLLECTION INCLUDING A RARE COPY OF THE DECLARATION OF INDEPENDENCE


The Declaration of Independence: Rare Americana from the Collection

May 5 through September 13, 2026

In honor of the 250th anniversary of the Declaration of Independence, the Morgan Library & Museum will present a select group of important materials relating to the history of the founding of the nation in the rotunda of the historic library from May 5 through September 13, 2026. Placed in conversation with each other, this installation of six works provides a snapshot of an incredibly robust area of the Morgan’s collection that speaks to the vitality of the country in its nascence.

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#NHLPeachy @NHL NHL Morning Skate: Stanley Cup Final Edition – June 14, 2026


* It’s a simple recipe for both teams in Game 6 of the 2026 Stanley Cup Final. A win for Carolina will give them their second championship and first in 20 years. For Vegas, win to keep their shot at a second Stanley Cup alive.

* After five historic contests to begin the Final, Game 6 will be played on the 20th anniversary of Carolina's first-ever potential Cup-clinching game – with the Hurricanes hoping for a different fate.

* A long list of records are within reach before the Stanley Cup is presented, either today in Las Vegas or Wednesday in Raleigh, with Jordan Staal, Logan Stankoven, Mitch Marner and Jack Eichel among those in pursuit of a new benchmark to go along with hockey's most sought-after prize.

* Game 6 will air at 8 p.m. ET on ABC, Sportsnet, TVA Sports and CBC, as well as on NHL in ASL (U.S.: ESPN App for ESPN Unlimited plan subscribers; Canada: Sportsnet+). Click here for highlights from the NHL in ASL coverage of the Final so far.

VEGAS CAN PUSH HISTORIC STANLEY CUP FINAL TO GAME 7
After five straight history-making games to start to the Stanley Cup Final, it could come down to Sunday night in Las Vegas to crown a 2026 champion.

* The Golden Knights started the series as the first visiting team in Final history to stage a multi-goal comeback win in Game 1 and, to extend the NHL season by one more game, now must become the 19th team to force a Game 7 in the Stanley Cup Final. Twelve of the 18 teams that won Game 6 to stay alive in the Final did so on home ice, most recently the Oilers in 2024.


* Each of the past three teams to force Game 7 of the Stanley Cup Final scored at least five goals in Game 6: the Oilers won 5-1 in 2024 (vs. FLA), while the Bruins won 5-1 in 2019 (at STL) and 5-2 in 2011 (vs. VAN). The last one-goal decision to force Game 7 of the Cup Final was in 2009 when Jordan Staal scored the opening goal for the Penguins in an eventual 2-1 home win before the club headed to Detroit to win Game 7. That was Staal’s last goal in the Final before his record-tying goal streak this year.


* Vegas is 1-1 in Game 6 when facing a 3-2 series deficit. Noah Hanifin and Mark Stone had the goals to go along with an Adin Hill shutout in their lone victory, on home ice against the Stars in the 2024 First Round.

* The Golden Knights will look for a hero similar to what the Oilers had exactly 20 years ago today. On June 14, 2006, Fernando Pisani scored the first and last goals in a back-and-forth Game 5 thriller in Raleigh to prevent the Hurricanes from winning their first-ever potential Cup-clincher. Much like this series, that game alone featured a number of memorable moments: Pisani scored 16 seconds in (one of the fastest goals in Final history), the teams combined for five goals in the opening frame (both tying and taking a lead), Eric Staal delivered a 2-1—3 performance for the Hurricanes including two tying goals and Pisani scored the first shorthanded overtime goal in Final history to extend the series.

* Mitch Marner is the top scorer at home (4-8—12 in 10 GP), on the road (6-11—17 in 11 GP) and overall (10-19—29 in 21 GP) in these playoffs, entering his first elimination game with Vegas. He has the most points when facing elimination among all Golden Knights in this series (min. 1 GP in SCF) and is the only one on the roster with multiple game-winning goals to extend a series – including one to force a Game 7 (Game 6 of 2018 R1 vs. BOS and Game 4 of 2023 R2 at FLA, both w/ TOR).





* Contributing on the score sheet in a must-win game would also push a number of Golden Knights toward franchise records: Shea Theodore (6-12—18) needs one to tie or set club benchmarks for goals (tie), assists (set) and points (tie) by a defenseman in one playoff year; Jack Eichel (20 A) needs one assist to break his own single-season benchmark (Marner needs two); and, after setting a new high for goals in a postseason earlier this round, Brett Howden (14 G; 3 GWG) needs one to establish new plateaus for game-winning goals (career or single postseason).

CAROLINA’S CAPTAIN THE DRIVING FORCE TO POTENTIAL CUP CLINCHER

All but two players on the Carolina roster will play a game unlike any other they have ever contested as they play for a chance to lift the Stanley Cup tonight. Captain Jordan Staal and former Golden Knights blueliner William Carrier are the only Hurricanes who have played for a chance to win the Cup, winning their only such opportunities (both 1-0).






* Staal is on the brink of history on many fronts entering Game 6: he can become the first player in Stanley Cup Final history with a six-game goal streak; he can set a new benchmark for goals in a Final at age 37-plus; he can tie the modern era record for most goals by any player in a Final; he can become the first player in NHL history to go 17 years from one Cup to the next; and, if he were to be voted by media as playoff MVP, would become the oldest Conn Smythe Trophy winner in history.

* For his part, Carrier can become the fourth player in NHL history to win his first two Stanley Cups in the same building but for different teams. He would be the second to achieve that feat at T-Mobile Arena, following Chandler Stephenson (2018 w/ WSH, 2023 w/ VGK). The others: Gord Pettinger at Maple Leaf Gardens (1933 w/ NYR, 1936 w/ DET) and Art Jackson at the Detroit Olympia (1941 w/ BOS, 1945 w/ TOR).



* In addition to the performances of Taylor Hall, Logan Stankoven and Jackson Blake – who have combined for 18 points during Carolina’s perfect 3-0 run in clinchers this year – many other Hurricanes have had success with the series on the line. Blake (1.20), Seth Jarvis (1.07), Sebastian Aho (1.00) and Taylor Hall (1.00) all average at least a point-per-game in their career during potential series-clinching games.


* Aho, whose first goal of the Final was the winner in Game 5, has three career series-clinching goals which is tied for the second most among active players behind fellow Finn Artturi Lehkonen (4). Aho, the franchise leader in goals (12), points (18) and game-winning goals (3) in potential clinchers, is the only player in this series with multiple series-clinching goals to his name. Lehkonen (2022) and Jari Kurri (1987) are the only Finnish players to score a Stanley Cup-clinching goal, and Lehkonen was the last (from any country) to net a Cup-clincher on the road.



* After scoring the opening goal in Finland’s bronze medal win at the Olympic Winter Games Milano Cortina 2026, Aho can become the fifth player to win bronze and a Stanley Cup in the same season. He would join Frantisek Kaberle – who scored the Cup-clinching goal for the Hurricanes in 2006 – as well as Pavel Datsyuk, Sergei Fedorov and Igor Larionov with the 2002 Red Wings (against CAR).






* Brandon Bussi could become the eighth goaltender in NHL history to have his first-ever potential series-clinching game come during the Stanley Cup Final and can join Joe Miller (Game 5 of 1928 w/ NYR) and Al Rollins (Game 5 of 1951 SCF) as the only netminders to win. The last American goaltender to earn a Cup-clinching win was Jonathan Quick with the 2014 Kings. Other potential achievements on the Game 6 radar are Logan Stankoven (11 G) pursuing the franchise goals record (1 to tie the mark set by Rod Brind’Amour in 2006) and Shayne Gostisbehere (3-9—12) approaching franchise marks for goals (1 to tie), assists (2 to tie) and points (1 to tie) by a defenseman.



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#CulturedPeachy @MorganLibrary DRAWINGS FROM THE COLLECTION OF POET JOHN ASHBERY ON VIEW AT THE MORGAN ALONGSIDE RARE EDITIONS FOR THE FIRST TIME

Friends Who Came to See Me: Drawings from John Ashbery’s Collection, on view from May 1 through October 25, 2026, features selections from a 2019 gift to the Morgan Library & Museum of twenty-eight works on paper from the collection of the American poet John Ashbery (1927–2017), donated by his husband, David K. Kermani. Centered on this remarkable and deeply personal group of works, the exhibition offers an intimate portrait of one of the twentieth century’s most significant American poets through his engagement with the visual arts, illuminating the rich interplay between his poetry, friendships, and art criticism.

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#CulturedPeachy @MorganLibrary NEW EXHIBITION REVEALS THE CREATIVE PROCESS BEHIND PETER HUJAR’S PHOTOGRAPHY

This spring, the Morgan Library & Museum will present Hujar:Contact, an exhibition exploring the life, times, and creative evolution of photographer Peter Hujar (1934–1987). On view from May 22 through October 25, 2026, the exhibition features more than 110 contact sheets and 20 enlargements from the Morgan’s collection of Peter Hujar’s works.

Highlights include portraits of artists and performers such as Marsha P. Johnson, Jackie Curtis, Patti Smith, Candy Darling, John Zorn, and Ethyl Eichelberger, as well as Hujar’s creative collaborators and lovers, including Paul Thek, Joseph Raffael, and David Wojnarowicz. Hujar’s distinctive portraiture, alongside rare prints of his street photography, interiors, and landscapes, reveals the unflinching eye he cast upon a vast range of subjects.

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#CulturedPeachy @MorganLibrary EXHIBITION EXPLORES THE HISTORY AND ARTISTIC IMPACT OF TAROT FROM THE RENAISSANCE THROUGH TO TODAY

The Visconti-Sforza Deck—Now in the Collections of the Morgan Library & Museum and the Accademia Carrara, Bergamo—Will Be Reunited for the First Time in the U.S.

Also On View Is a New Commission by Contemporary Artist Chris Ofili

Tarot! Renaissance Symbols, Modern Visions
June 26 through October 4, 2026

The Morgan Library & Museum will present Tarot! Renaissance Symbols, Modern Visions, an exhibition in two parts that explores the origins of tarot in Renaissance Italy and its contemporary relevance as an enduring source of inspiration for twentieth- and twenty-first-century artists. The first part, Renaissance Symbols, focuses on the earliest surviving tarot decks from the fifteenth century, examining the rich court culture from which the cards emerged, the development of the cards’ imagery, and how that imagery became the basis for later divination practices. The second part, Modern Visions, traces artists’ engagement with tarot imagery during four distinct historical moments in which the occult assumed greater prominence within the larger culture, culminating in a new commission by renowned contemporary artist Chris Ofili. The exhibition will be on view from June 26 through October 4, 2026.

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#NHLPeachy @NHL Announces 2025-26 All-Rookie Team Our Coverage Sponsored by Cosmopolitan Dental, Official Dentist of Whom You Know @GaroNazarianDDS #cosmopolitandental #loveyoursmile

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***

The National Hockey League announced today the 2025-26 NHL All-Rookie Team, including the three players voted as finalists for the Calder Memorial Trophy: defenseman Matthew Schaefer of the New York Islanders as well as forwards Ivan Demidov of the Montreal Canadiens and Beckett Sennecke of the Anaheim Ducks.



Also named to the 2025-26 All-Rookie Team are goaltender Jakub Dobes of the Canadiens, defenseman Alexander Nikishin of the Carolina Hurricanes and forward Jimmy Snuggerud of the St. Louis Blues.



Voting was conducted by the Professional Hockey Writers Association at the conclusion of the regular season.



Following is a summary of each All-Rookie Team member’s outstanding campaign:



Goaltender



Jakub Dobes, Montreal Canadiens

Dobes, a fifth-round pick (136th overall) in the 2020 NHL Draft, led rookie goaltenders with 29 wins – eight more than the next-closest player – in 43 appearances to guide the Canadiens to their second straight playoff berth. Only three rookie netminders have recorded more victories for Montreal in a single season: Ken Dryden (39 W in 64 GP in 1971-72), Bill Durnan (38 W in 50 GP in 1943-44) and Jacques Plante (33 W in 52 GP in 1954-55). Among rookies with at least 10 appearances in 2025-26, Dobes (29-10-4) ranked third in goals-against average (2.78) and fifth in save percentage (.901). He began the campaign with six straight victories from Oct. 9-28, the longest season-opening winning streak by a Canadiens goaltender (rookie or veteran) since Carey Price in 2016-17 (10 GP); posted an 11-game point streak, the longest by a Montreal rookie since a 12-game stretch by Rick Wamsley in 1981-82 (10‑0-2), from Dec. 14 – Feb. 28 (9-0-2); and earned seven consecutive victories from March 24 – April 9, tied for the longest such run by a Canadiens rookie over the past 44 years. The 25-year-old Dobes is the fourth Montreal goaltender who has been selected to the All-Rookie Team, joining Price (2007-08), Patrick Roy (1985-86) and Steve Penney (1984-85).



Defensemen (in alphabetical order)



Alexander Nikishin, Carolina Hurricanes

Nikishin, a third-round pick (69th overall) from the 2020 NHL Draft, ranked second among rookie defensemen with 11-22—33 in 81 contests to help the Hurricanes clinch their eighth division title and fourth in the past six years. Nikishin’s 11 goals set a franchise record for a rookie blueliner, ahead of the eight scored by Justin Faulk in 2011-12 (66 GP), while his 33 points placed second only to Brad Shaw’s 35 in 1989-90 (3-32—35 in 64 GP w/ HFD). Nikishin’s +18 rating additionally ranked second among all 2025-26 rookies (forwards and defensemen), while he finished among the top five rookie blueliners in hits (1st; 132), power-play goals (2nd; 4), shots on goal (2nd; 122), takeaways (2nd; 26), assists (t-2nd; 22), blocked shots (3rd; 94), total time on ice (3rd; 1,472:56), power-play points (4th; 10) and power-play assists (t-4th; 6). The 24-year-old Nikishin follows Faulk (2011-12) as the second defenseman in Hurricanes team history (since 1997-98) who has been voted to the All-Rookie Team. Three blueliners received the honor while the franchise was based in Hartford: Chris Pronger (1993-94), Shaw (1989-90) and Dana Murzyn (1985-86).



Matthew Schaefer, New York Islanders

Schaefer, the first unanimous Calder Memorial Trophy winner since 1992-93, rewrote the League’s record book for production by an 18-year-old defenseman with 23-36—59 across 82 games. The No. 1 overall pick in the 2025 NHL Draft, Schaefer became the youngest blueliner in NHL history to register a point in his League debut, the youngest player (at any position) in NHL history to score an overtime goal and the first defenseman in more than 90 years to lead rookies (outright or tied) in goals. His 23 goals matched the single-season NHL record for a rookie blueliner (of any age), while his goal and point totals surpassed Phil Housley (17-40—57 in 1982-83 w/ BUF) for the most by an 18-year-old defenseman in NHL history. Schaefer, who placed fifth among rookies in plus/minus (+13), achieved these feats while topping New York and all NHL rookies with 2,023:59 of total time on ice – more than 500 minutes ahead of the next-closest rookie in 2025-26 and the second-highest figure by any rookie since the statistic began being tracked in 1997-98. Schaefer is the third defenseman in Islanders history who has been selected to the All-Rookie Team, following fellow Calder Trophy winner Bryan Berard (1996-97) as well as Vladimir Malakhov (1992-93).



Forwards (in alphabetical order)



Ivan Demidov, Montreal Canadiens

Demidov, a unanimous choice for the All-Rookie Team, led rookies with 19-43—62 while appearing in all 82 contests. The fifth overall selection from the 2024 NHL Draft became the seventh rookie in Canadiens history to register 60 points in a single season and the fourth to accumulate at least 40 assists. Demidov also finished 2025-26 among the top NHL rookies in assists (1st; 43), even-strength assists (1st; 30), power-play assists (1st; 13), power-play points (1st; 20), multi-point performances (t-1st; 14), power-play goals (2nd; 7), even-strength points (t-2nd; 42), game-winning goals (t-3rd; 4), shooting percentage (4th; 15.0% – minimum: 82 SOG), goals (6th; 19) and shots on goal (9th; 127). The 20-year-old Demidov is the third Montreal forward who has been voted to the All-Rookie Team this century, after Nick Suzuki (2019-20), Brendan Gallagher (2012-13) and Michael Ryder (2003-04). His selection with Dobes also marks the third time that multiple Canadiens players have earned All-Rookie honors in the same season, with the other instances coming in 1985-86 (Kjell Dahlin and Patrick Roy) and 1984-85 (Chris Chelios and Steve Penney).



Beckett Sennecke, Anaheim Ducks

Sennecke, the third overall pick from the 2024 NHL Draft, shared the rookie lead with 23 goals and ranked second with 60 points (23-37—60) while skating in 82 contests as Anaheim returned to the playoffs for the first time since 2017-18. Sennecke’s 23 goals matched the third-most in a single season by a Ducks rookie, while his 37 assists and 60 points both were one shy of the franchise rookie record established by Trevor Zegras in 2021-22 (23-38—61 in 75 GP). Sennecke additionally became the third rookie in franchise history to appear in all 82 games of a given season, joining Cutter Gauthier (2024-25) and Dustin Penner (2006-07). Among 2025-26 rookies, Sennecke placed in the top five in the NHL in even-strength goals (1st; 21), even-strength points (1st; 46), multi-point performances (t-1st; 14), assists (2nd; 37), power-play assists (2nd; 12), shots on goal (2nd; 197), even-strength assists (4th; 25), total time on ice (4th; 1,430:30) and power-play points (t-4th; 13). The 20-year-old Sennecke is the fifth Ducks forward – and second in as many seasons – who has been selected to the All-Rookie Team, following Gauthier (2024-25), Zegras (2021-22), Bobby Ryan (2008-09) and Paul Kariya (1994-95).



Jimmy Snuggerud, St. Louis Blues

Snuggerud, the 23rd overall choice from the 2022 NHL Draft, ranked fourth among rookies with 21-30—51 and a +16 rating in 70 contests, highlighted by a rookie-best 11 goals, 16 assists, 27 points and +21 rating in 25 games after the League returned from the Olympic break. He became the seventh Blues rookie to record a 50-point season (and the first since Nelson Emerson in 1991-92: 23‑36—59 in 79 GP) as well as the 10th to post a 20-goal campaign (and the first since Patrik Berglund in 2008-09: 21 G in 76 GP). Snuggerud also placed among the 2025-26 rookie leaders in game-winning goals (t-1st; 5), even-strength assists (t-2nd; 26), even-strength points (t-2nd; 42), multi-point performances (3rd; 13), shots on goal (3rd; 169), even-strength goals (t-3rd; 16), power-play goals (t-3rd; 5), goals (4th; 21), assists (4th; 30), takeaways (t-8th; 24) and power-play points (10th; 9). The 22-year-old Snuggerud is the fourth St. Louis forward who has been voted to the All-Rookie Team, joining Berglund (2008-09), Jim Campbell (1996-97) and Rod Brind’Amour (1989-90).



* * * * *



2025-26 NHL All-Rookie Team Voting

(1 point per vote)






Goaltenders

Points


1.

JAKUB DOBES, MTL

151


2.

Jesper Wallstedt, MIN

44







Defensemen

Points


1.

MATTHEW SCHAEFER, NYI

194


2.

ALEXANDER NIKISHIN, CAR

184


3.

Zeev Buium, VAN

9


t-4.

Cole Hutson, WSH

1




Yan Kuznetsov, CGY

1




Axel Sandin-Pellikka, DET

1







Forwards

Points


1.

IVAN DEMIDOV, MTL

195


2.

BECKETT SENNECKE, ANA

191


3.

JIMMY SNUGGERUD, STL

136


4.

Ryan Leonard, WSH

19


5.

Fraser Minten, BOS

16


6.

Ben Kindel, PIT

14


7.

Justin Sourdif, WSH

7


8.

Oliver Kapanen, MTL

6


9.

Linus Karlsson, VAN

1


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#CulturedPeachy @FrickCollection Frick’s Free Monthly Evening Series Extended as “Louis Vuitton First Fridays” Our Coverage Sponsored by Hallak Cleaners the Couture Cleaner @hallakcleaners @hallakcouturecleaner

For sixty years, Hallak Cleaners the Couture Cleaner has been entrusted with Manhattan’s finest wardrobes. The official cleaner of Whom You Know since 2012, Hallak is the only cleaner Peachy Deegan would ever use and we are honored to work with them. New York’s fashion boutiques have been recommending Hallak to their loyal customers for years. They understand the importance of quality fabric care and protecting their client’s investment. While Hallak is known for their expert handling of couture and other precious items, they also make it a point to give your more casual garments the same level of attention. Their representatives are always on the look out for the hard-to-notice stains, loose seams, missing buttons, etc. You can trust Hallak Cleaners with your entire wardrobe and then some. A sample of some of their specialized services:

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***

Following the successful return this spring of First Fridays, the museum’s series of monthly free evenings, The Frick Collection is pleased to announce that Louis Vuitton will underwrite the program for one year, from June 2026 through May 2027, as part of a three-year cultural sponsorship. The continuation of this series reinforces the Frick’s commitment to expanding public access to the museum and encourages engagement with the collection through a range of dedicated offerings.

Louis Vuitton First Fridays feature free evening admission on the first Friday of each month (excluding January and September), from 5:30 to 9:00 p.m. These events invite guests ages 10 and older to enjoy the galleries and special exhibitions after hours, with programming that includes live music, talks, and art-making activities. Full-service dining is available at the Frick’s café, Westmoreland, with additional refreshments offered in the central Garden Court and the James S. and Barbara N. Reibel Reception Hall. Free advance online registration is encouraged for these popular evenings, though walk-up visitors are also welcome.

Commented Axel Rüger, the Frick’s Anna-Maria and Stephen Kellen Director, “The success of our recent First Fridays events reflects an ongoing strong public interest in the museum, now a year after our reopening. We have been pleased to once again offer these unique, after-hours experiences in our galleries each month, which expand access to our historic buildings and offer new ways for visitors to explore our collections. We are incredibly grateful to Louis Vuitton for their generous sponsorship of the First Fridays series during the upcoming year.”
Louis Vuitton First Fridays: 2026–27 Schedule
June 5, 2026 October 2, 2026 February 5, 2027 April 2, 2027
July 3, 2026 November 6, 2026 March 5, 2027 May 7, 2027
August 7, 2026 December 4, 2026


Information on individual events will be made available at frick.org/firstfridays.
ABOUT LOUIS VUITTON

Bringing unique, collectible designs to the world since 1854, Louis Vuitton is a French House that combines heritage and innovation at the highest savoir-faire across products, culture, and experience. The legacy of founder Louis Vuitton, who established an “Art of Travel” through trunks, luggage, and leather goods, continues as an ever-evolving exploration where craftsmanship carries emotional value. Guided by a spirit of constant creativity, the House entrusts its vision to leading artistic and creative directors who reinterpret its savoir-faire across ready-to-wear, shoes, accessories, watches, jewelry, design, fragrance, and beauty.

As a House of Culture, Louis Vuitton develops, supports, and curates a wide range of cultural initiatives, spanning exhibitions, artistic collaborations, and heritage projects, many of which are freely accessible to the public. Committed to supporting a broad range of talent, the House celebrates excellence in sports and entertainment while, through its global network of Espaces Louis Vuitton, Visionary Journeys, and other cultural platforms, engaging diverse audiences and fostering dialogue with artists and creators. Extending its “Art of Living” into hospitality and lifestyle, Louis Vuitton creates immersive experiences through restaurants and cafés. Today, Louis Vuitton resonates beyond what is tangible, driving inspiration with global impact as a House of Culture.
ABOUT THE FRICK COLLECTION

Housed in one of New York City’s last great Gilded Age homes, The Frick Collection provides intimate encounters with one of the world’s foremost collections of fine and decorative arts. Open since 1935, the institution originated with Henry Clay Frick, who bequeathed his Fifth Avenue residence and collection of European paintings, sculpture, and decorative arts for the enjoyment of the public. The museum’s holdings, which encompass masterworks from the Renaissance to the late nineteenth century, have grown over the decades, more than doubling in number since the opening of the museum. The Frick Art Research Library, founded more than one hundred years ago by Henry Clay Frick’s daughter Helen Clay Frick, is a leading art history research center that serves students, scholars, and the public.

Last spring, the Frick completed a major renovation and enhancement project and reopened on April 17, 2025, with great fanfare. Designed by Selldorf Architects, with executive architect Beyer Blinder Belle, the project was developed to honor the historic legacy and character of the Frick while addressing critical infrastructural and operational needs.

For more information, please visit frick.org.


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#CulturedPeachy @FrickCollection The Frick Collection Announces Three-Year Sponsorship by Louis Vuitton

The Frick Collection today announced a major three-year sponsorship by Louis Vuitton. Beginning this month, the House will be a principal cultural sponsor at the Frick, providing vital funding for several important initiatives: three major special exhibitions; one year of Louis Vuitton First Fridays, extending the museum’s ongoing series of monthly free evenings; and the creation of a two-year staff position, the Louis Vuitton Curatorial Research Associate.

The sponsorship will follow the House’s presentation of its Cruise 2027 show in a series of the Frick’s first-floor galleries on Wednesday, May 20, a private event involving a few days of museum closure.

Commented Axel Rüger, the Frick’s Anna-Maria and Stephen Kellen Director, “We are thrilled to engage with Louis Vuitton in such a meaningful and sustaining way. The House’s commitment to cultural experiences of the highest quality aligns well with our own, and this sponsorship over the next three years will provide critical funding for three integral areas of the museum’s mission: exhibitions, public programming, and art historical research. We are grateful for this unique support from one of the world’s leading fashion houses, which will enable many of the Frick’s important future offerings in this new chapter following our renovation.”

Stated Pietro Beccari, CEO of Louis Vuitton, “We are happy to announce Louis Vuitton’s three-year sponsorship of The Frick Collection, following our Cruise 2027 show spearheaded by Nicolas Ghesquière, which perfectly embodies the House’s enduring commitment to culture and heritage. Nicolas’s vision for the Cruise collections, consistently presented at extraordinary locations, enables us to create deeper connections between fashion, architecture, and culture. This sponsorship at the Frick not only reinforces Louis Vuitton’s dedication to supporting the arts but also illustrates how such exceptional venues become integral to the Louis Vuitton story, enriching our narrative with each collection.”

Free Monthly Friday Evenings Increase Access to the Museum

After reopening to much fanfare a year ago, the Frick is pleased to have resumed its First Fridays program earlier this spring. The series offers free museum admission from 5:30 to 9:00 p.m. on the first Friday of each month (except January and September), inviting guests to enjoy after-hours time in the galleries and special exhibitions, along with refreshments, talks, live music, and art-making activities.

From June 2026 through May 2027, the series will be sponsored by Louis Vuitton and titled “Louis Vuitton First Fridays.” This sponsorship makes great strides in enabling the continuation of this popular offering, which increases public access to and appreciation of the museum and its collections.
Support for the Frick’s Dynamic Exhibitions Program

In 2026–28, Louis Vuitton will also be the lead sponsor of the next three major special exhibitions presented at the Frick.

This aspect of the sponsorship begins with Siena: The Art of Bronze, 1450–1500, shown in fall 2026 through winter 2027, the first exhibition to fully position Siena as a center of artistic excellence and technical innovation in sculpture during the Italian Renaissance. The show brings together nearly forty diverse works in bronze—most of which have never been exhibited outside of Tuscany—by some of the most influential sculptors in this period, among them Donatello, Vecchietta, and Francesco di Giorgio Martini. This important show is organized by Giulio Dalvit, the Frick’s Associate Curator, who is authoring an accompanying catalogue alongside a group of international contributors.

Louis Vuitton will also be lead sponsor of the Frick’s show opening in spring 2027, the first exhibition ever dedicated to the French enameler Susanne de Court. Active around 1600, De Court is a significant yet enigmatic figure in the creation of painted enamels, one of the distinctive art forms of the French Renaissance. With nearly one hundred surviving works, De Court is the only woman known to have made enamels in her era and is widely believed to have been the only woman to lead a workshop in Limoges, the center of enamel production in France. Painting with Fire: Susanne de Court and the Art of Enamel will bring together for the first time around fifty of these objects, inviting visitors to discover the artist’s practice and some of the finest examples of her extraordinary output. The groundbreaking exhibition is organized by Marie-Laure Buku Pongo, the Frick’s Associate Curator of Decorative Arts, and will be accompanied by a richly illustrated catalogue.

Finally, in late 2027 to early 2028, the Frick will present a yet-to-be-announced monographic exhibition of nineteenth-century paintings, likewise supported at its New York City venue by Louis Vuitton.
Curatorial Role Created to Foster Research and Engagement

Through the creation of a two-year position, the Louis Vuitton Curatorial Research Associate, the sponsorship also supports other key activities of the museum’s Curatorial Department. The incumbent will be Yifu Liu—currently the Frick’s 2024–26 Anne L. Poulet Curatorial Fellow and a PhD candidate in the Department of Art and Archaeology at Princeton University—whose research explores cultural exchange and the hybridization of artistic practices between Europe and China in the eighteenth century.

In this role, Liu will explore these themes within the context of the Frick’s holdings, including art and fashion of the courts of Louis XV and XVI and of the Qianlong Emperor, and will bring long-overdue attention to the Frick’s extensive holdings of Asian porcelain. Liu will also deliver lectures and presentations on his findings and will provide general support to the Curatorial Department in its production of publications, exhibitions, gallery displays, and programs.

Liu is the organizer of the Frick’s acclaimed current exhibition Ruffles & Ribbons: Fashion Plates from the Time of Marie Antoinette (through August 3, 2026). During his current fellowship, he has conducted extensive research on the Chinese porcelain in the Frick’s permanent collection, an understudied but important facet of the museum’s holdings, about which he has delivered numerous talks and a public lecture held in conjunction with Asia Week New York. Independently, Liu has also curated shows in contemporary art galleries with a focus on Chinese art in a global context.

Commented Aimee Ng, the Frick’s Peter Jay Sharp Chief Curator, “Since his arrival at the Frick in 2024, Yifu has contributed deeply to the understanding and appreciation of the holdings of both the museum and library. With the conclusion of his fellowship this spring, we are thrilled to extend his time with us as the Louis Vuitton Curatorial Research Associate and look forward to the ways in which this role will allow him to further engage with our collection and audiences over the next two years. We are so pleased that the cultural appeal of the Frick to Louis Vuitton has inspired their support of our research-driven work, along with important public programming and exhibition initiatives.”

ABOUT LOUIS VUITTON

Bringing unique, collectible designs to the world since 1854, Louis Vuitton is a French House that combines heritage and innovation at the highest savoir-faire across products, culture, and experience. The legacy of founder Louis Vuitton, who established an “Art of Travel” through trunks, luggage, and leather goods, continues as an ever-evolving exploration where craftsmanship carries emotional value. Guided by a spirit of constant creativity, the House entrusts its vision to leading artistic and creative directors who reinterpret its savoir-faire across ready-to-wear, shoes, accessories, watches, jewelry, design, fragrance, and beauty.

As a House of Culture, Louis Vuitton develops, supports, and curates a wide range of cultural initiatives, spanning exhibitions, artistic collaborations, and heritage projects, many of which are freely accessible to the public. Committed to supporting a broad range of talent, the House celebrates excellence in sports and entertainment while, through its global network of Espaces Louis Vuitton, Visionary Journeys, and other cultural platforms, engaging diverse audiences and fostering dialogue with artists and creators. Extending its “Art of Living” into hospitality and lifestyle, Louis Vuitton creates immersive experiences through restaurants and cafés. Today, Louis Vuitton resonates beyond what is tangible, driving inspiration with global impact as a House of Culture.
ABOUT THE FRICK COLLECTION

Housed in one of New York City’s last great Gilded Age homes, The Frick Collection provides intimate encounters with one of the world’s foremost collections of fine and decorative arts. Open since 1935, the institution originated with Henry Clay Frick, who bequeathed his Fifth Avenue residence and collection of European paintings, sculpture, and decorative arts for the enjoyment of the public. The museum’s holdings, which encompass masterworks from the Renaissance to the late nineteenth century, have grown over the decades, more than doubling in number since the opening of the museum. The Frick Art Research Library, founded more than one hundred years ago by Henry Clay Frick’s daughter Helen Clay Frick, is a leading art history research center that serves students, scholars, and the public.

Last spring, the Frick completed a major renovation and enhancement project and reopened on April 17, 2025, with great fanfare. Designed by Selldorf Architects, with executive architect Beyer Blinder Belle, the project was developed to honor the historic legacy and character of the Frick while addressing critical infrastructural and operational needs.

For more information, please visit frick.org.

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#CulturedPeachy @FrickCollection #PeachyLandmarks Frick’s Renovation Recognized with Four Major Preservation Awards

Nearly a year after its celebrated reopening, The Frick Collection announces four significant honors awarded this spring in recognition of its comprehensive renovation and enhancement. The organizations issuing the awards are influential within the fields of architectural preservation, a vital aspect of the project that honored the legacy of the museum’s and library’s 1914 and 1935 buildings, respectively. For these honors, the Frick is grateful to the Friends of the Upper East Side, the Institute of Classical Architecture & Art, the Municipal Art Society of New York, and the New York Landmarks Conservancy.

In April, the Friends of the Upper East Side is honoring the Frick’s restoration and expansion with a 2026 FRIENDS’ Seamless Heritage Award, noting that the institution was selected in appreciation of its “distinctive and meticulously executed project, a sensitive and respectful enhancement of a treasured cultural landmark.” This independent nonprofit organization is dedicated to preserving and celebrating the architectural legacy, livability, and sense of place of New York City’s Upper East Side.

The Institute of Classical Architecture & Art (ICAA) will recognize the Frick in May with the 2026 Arthur Ross Award for Stewardship. While this honor can be given annually, the organization does so only when motivated by a particular project’s strengths, making this an especially noteworthy accolade. ICAA is the leading national nonprofit organization dedicated to advancing the practice and appreciation of the classical tradition in architecture and the allied arts, with regional chapters and a national headquarters in New York.

The Municipal Art Society of New York (MAS) has designated the Frick as a recipient of its MASterworks Design Award for Best Restoration. The ceremony, held in April, also marks the twenty-fifth anniversary of the awards, which recognize projects completed in the previous year that exemplify excellence across the municipal arts of architecture, landscape architecture, preservation, and public art. MAS was founded in 1893 to promote the use of these fields to work toward the creation of a more livable city, and to improve and protect New York City’s built environment.

Finally, the New York Landmarks Conservancy has selected the Frick to receive a Lucy G. Moses Preservation Project Award at its April ceremony, an event considered the city’s “Oscars of preservation.” Founded more than fifty years ago, the Conservancy has been a leader in preserving and protecting New York’s unique architectural heritage through expert advice, advocacy, and financial support. The Conservancy bestows its awards annually to recognize excellence in historic preservation.

Commented Elizabeth M. Eveillard, Chair of the Frick’s Board of Trustees, “Our reopening year has been deeply rewarding, as we’ve welcomed a broader public to discover, and rediscover, the beauty and intimacy of our historic buildings. To be met with recognition from four major preservation organizations is very meaningful. On behalf of the Board of Trustees, I share congratulations with our partners in the renovation—project designers Selldorf Architects and executive architects Beyer Blinder Belle Architects & Planners—along with the Frick’s curators and conservators and all of our dedicated staff. We also thank Ian Wardropper, the Frick’s Director Emeritus, whose leadership and vision throughout the multiyear project led to these gratifying recognitions.”

Added Axel Rüger, Anna-Maria and Stephen Kellen Director, “As an institution whose unique identity is tied to our historic Gilded Age home, our success both generally and in our recent renovation derives from the input and interest of the vital organizations invested in our community. Their devotion to the field of preservation offers great value locally and nationally, fostering a sense of shared history. We are profoundly honored by these awards and express our deep appreciation to these four organizations who have recognized the Frick, and to everyone who makes our work possible.”
ABOUT THE FRICK COLLECTION

Housed in one of New York City’s last great Gilded Age homes, The Frick Collection provides intimate encounters with one of the world’s foremost collections of fine and decorative arts. Open since 1935, the institution originated with Henry Clay Frick, who bequeathed his Fifth Avenue residence and collection of European paintings, sculpture, and decorative arts for the enjoyment of the public. The museum’s holdings, which encompass masterworks from the Renaissance to the late nineteenth century, have grown over the decades, more than doubling in number since the opening of the museum. The Frick Art Research Library, founded more than one hundred years ago by Henry Clay Frick’s daughter Helen Clay Frick, is today a leading art history research center that serves students, scholars, and the public.

Last spring, the Frick completed a major renovation and enhancement project and reopened on April 17, 2025, with great fanfare. Designed by Selldorf Architects, with executive architect Beyer Blinder Belle, the project was developed to honor the historic legacy and character of the Frick while addressing critical infrastructural and operational needs.

For more information, please visit frick.org.


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#CulturedPeachy @FrickCollection Frick Appoints New Andrew W. Mellon Chief Librarian

The Frick Collection announced the appointment of Luciano Johnson as its new Andrew W. Mellon Chief Librarian. He will take up the post overseeing the Frick Art Research Library on March 23.



The appointment concludes a comprehensive search process for this senior management role. Johnson succeeds Dr. Stephen Bury, who served as the Mellon Chief Librarian for nearly fifteen years, through fall 2025.

Johnson has held various roles at the Frick Art Research Library since 2000, most recently serving, for the past five years, as the Eichholz Foundation Associate Chief Librarian for Preservation, Imaging, and Creative Services.

Among his many accomplishments over the years, he led the implementation of the Frick’s institution-wide Digital Asset Management System, launched our first public digital collections portal (digitalcollections.frick.org), and helped formulate our first digital preservation program, including directing the Mellon Foundation–funded digitization of more than 1.5 million pages of archival materials.

More recently, overseeing the Graphic Design Department that he helped establish, Johnson collaborated on the institution’s visual branding refresh, in conjunction with the Frick’s 2025 reopening. He also coordinated the build-out of the new book and paper conservation studio—which supports both museum and library collections, including materials for exhibitions—and helped plan the new 3D scanning program. Through it all, he has been a leading voice in cross-departmental planning for major book and archival acquisitions, including their conservation, digitization, stewardship, and access.

Commented Axel Rüger, the Frick’s Anna-Maria and Stephen Kellen Director, “A critical objective of the Frick’s recent renovation was to forge greater connections between our museum and library, both physically and programmatically. For many years, Luciano has been a thoughtful partner in helping achieve this goal, and his wide-ranging experience speaks to the importance of the library’s services and resources—both for its global community of students and scholars and for the needs and mission of the entire Frick Collection. His depth of knowledge of the institution’s collections and history positions him well to lead the Frick Art Research Library, and we are excited to collaborate with him on its next chapter.”

Added Luciano Johnson, “The Frick Art Research Library has long been one of the world’s great centers for the study of art history. Having supported the library in many areas over the years, I’m thrilled to help guide its continued evolution as Andrew W. Mellon Chief Librarian, especially by strengthening its connection to the museum and expanding how scholars and researchers engage with its collections. By connecting closely with our scholarly community and collaborating with peer institutions, we can ensure that the library remains a dynamic center for art historical discovery and access while reaffirming the vital role of information professionals in preserving the authenticity and integrity of knowledge.”


ABOUT THE FRICK COLLECTION

Housed in one of New York City’s last great Gilded Age homes, The Frick Collection provides intimate encounters with one of the world’s foremost collections of fine and decorative arts. Open since 1935, the institution originated with Henry Clay Frick, who bequeathed his Fifth Avenue residence and collection of European paintings, sculpture, and decorative arts for the enjoyment of the public. The museum’s holdings, which encompass masterworks from the Renaissance to the late nineteenth century, have grown over the decades, more than doubling in number since the opening of the museum.

The Frick Art Research Library, founded more than one hundred years ago by Henry Clay Frick’s daughter Helen Clay Frick, is a leading center for art historical scholarship. Its mission is to provide access to materials and programs on the study of fine and decorative arts created in, or influenced by, the European tradition from the fourth through the twentieth century. In addition to serving students, scholars, and the public free of charge, the library supports research, preservation, and programs throughout The Frick Collection.

Last spring, the Frick completed a major renovation and enhancement project and reopened on April 17, 2025, with great fanfare. Designed by Selldorf Architects, with executive architect Beyer Blinder Belle, the project was developed to honor the historic legacy and character of the Frick while addressing critical infrastructural and operational needs.

For more information, please visit frick.org.


Read more...

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